Delphine Dora, prolific pianist and improviser. An eclectic explorer of language and sound, Delphine is one of the most curious and surprising souls on the European avant-folk scene, capable of forging a musical universe in constant metamorphosis, arranged between several languages (English, French, German, Russian, imaginary languages) and genres (minimalism, improvisation, electroacoustic, folk).
Curator of the Wild Silence label, with which she has proposed other atypical experimenters (Powerdove, Sophie Cooper, Jackie McDowell), Delphine Dora has recorded much of her music on audio cassettes in very limited, hand-picked editions. While the best-known of her orchestrated albums is L’inattingible (2020), considered by Julia Holter to be one of the best records of the decade, there are several dozen titles to her name as well as scattered collaborations, from a duet with Marina Gusina on the poetry of Marina Tsvetaeva in Russian to noisy and avant-garde projects (playing with Andrew Chalk, Josephine Foster, Keiji Haino and Valentina Magaletti, among others).
A self-taught visual artist and reader of rare sensitivity, she has devoted entire albums to translating the poetic works of her favourite poets into music: Sylvia Plath (Conversation among the ruins, 2013), Kathleen Raine (Eudaimon, 2018), Ingeborg Bachmann (Dunkles Zu Sagen, 2019), Walt Whitman (Multitudes I-II, 2013-2017), not to mention adaptations of verses by Saint-John Perse, Georg Trakl, Verlaine or Novalis, according to a literary sensibility that extends as far as Beckett’s Sarah Kane and Molloy.
Equally at home with old pipe organs, synthesizers and keyboards, immersed in the atmosphere of churches and nature, Dora often becomes the voice of a place, at once embodied and ghostly, intimate and experimental. Her ecstatic litanies explore the subconscious of folk in forms of bliss both abstract and real, timeless ceremonies woven from voice and piano, bird chirps and rural sounds, electronic intuitions and barely perceptible drones. Close to Christina Carter, Brigitte Fontaine and Meredith Monk, Delphine Dora seems to evoke the American minimalists as much as Satie and Debussy, between fin de siècle phantasmagoria and avant-garde chiaroscuro. This is music without premeditation, a personal cartography made up of radiant flows of incandescence, fragile and iridescent impressions, at the very limit of musicality. A vast and luxuriant sound and literary imagination, encouraging us to become aware of our sound environment, to turn the pages of the world between sound and silence, acoustics and electronics, instrumentation and field recordings. An invitation to dream the imperceptible, to enjoy impermanence, to be satisfied with the infinite.
She has performed internationally in France, Europe, and Japan in many contexts such as Cafe OTO (London), Brotfabrik (Frankfurt), Instants Chavirés (Montreuil), Cave12 (Geneva), Ausland (Berlin), Zionskirche (Berlin), The Glad Cafe (Glasgow), Ateliers Claus (Brussels), Victoria Theatre (Halifax), Neue Schachtel (Stuttgart), Atriu Na Zizkove (Praha, CZ), l’église de St Saphorin (Switzerland), A.M.E (Huddersfield), Igreja de Santa Isabel (Lisbon), Sonoscopia (Porto), Bla (Oslo), Mutant Radio (Tbilisi), Polaris (Tokyo), etc. and festivals such as Meakusma Festival (Eupen), Appleton Festival (Lisbon), Le Guess Who / invited by Julia Holter (Netherlands), Fanø Free Folk Festival (DK), Supernormal Festival (UK), Copenhagen Jazz Festival (Denmark), Times Zone Festival (Bari, Italy)…
https://drive.google.com/file/d/1jQXKuQH44SmFPoCQynkCzWIKI22mjPPh/view?usp=sharing
https://delphinedora.bandcamp.com/album/linattingible
https://delphinedora.bandcamp.com
http://www.delphinedora.wordpress.com
Nightmare pop from Tampere. Slow, deep & dark.
Soitot alkaen 19.30.
Vapaaehtoinen pääsymaksu 5-15 €
Tervetuloa!